Choosing historical methods of textile manipulation and raw, unadulterated materials has allowed me to delve into the rich tapestry of history and explore the significance of feminism in a modern context. By incorporating these traditional techniques and materials, I can breathe new life into the past, while highlighting the enduring power and relevance of women's experiences.
The use of steel, leather, unbleached cotton, and wool serves as a tangible connection to the resilience and strength of women throughout history. These materials have stood the test of time, just as women have persevered against societal norms and restrictions placed upon them. Through the revitalisation of historical methods such as vegetable-based dyeing, chain-mail fabrication, knitting, pleating, and leather wet-forming, I can pay homage to the craftsmanship of our ancestors while reimagining their work in a contemporary context.
Each stitch, fold, and dye becomes a visual narrative that seeks to amplify the voices of women in the present and the past. By intertwining these old-world techniques with a modern sensibility, I have been able to create pieces that not only capture the eye but also provoke thought and spark conversations about gender dynamics in society.
Through the experience of creating clothing from scratch with highly labour intensive and hands on techniques, I was able to intertwine my own feminine power in my ability to connect with my own creations. The strength that comes to someone when crafting their own clothes and wares in innate and undeniable. Having the power to be able to reclaim “womanly craft” as a symbol of strength and skill rather than a lack thereof, is something that should be shared.

Created for Textile Design Project Launch, as part of my Bachelor of Design (Textiles) at RMIT